Anne-Louis GIRODET de ROUSSY-TRIOSON - Lot 280

Lot n° 280
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Estimation :
10000 - 15000 EUR
Result with fees
Result : 13 000EUR
Anne-Louis GIRODET de ROUSSY-TRIOSON - Lot 280
Anne-Louis GIRODET de ROUSSY-TRIOSON (Montargis, 1767 - Paris, 1824) Presumed portrait of Louis Bonaparte, former King of Holland Oil on canvas Monogrammed and dated 1814 lower right 61 x 50 cm Beautiful gilded wood frame decorated with palmettes from the Empire period Provenance : - France, private collection. Biography: Recognized during his lifetime by the court of Napoleon I and the French aristocracy aristocracy in the early years of the 19th century, Anne-Louis Girodet de Roussy- Trioson Trioson was a talented independent history painter and portraitist. Sent to Paris to Paris, where his classical studies revealed his artistic virtuosity, the young artist quickly became one of the best students in David's studio. There, he prepared for the Prix de Rome, which he won in 1789 thanks to Joseph's recognition by his brothers. (Beaux-Arts, Paris, inv. PRP 28), and continued his study of neoclassicism until his return from Italy in 1795. In deliberately avoiding the superfluous accessories that he left to history painting to history painting, Girodet sought above all to render with precision the characteristics characteristics that would enable his models to be recognized. With elegant simplicity simplicity, Louis Bonaparte is probably depicted here at mid-body. The economy of detail and the tight frame of our version allow the viewer to concentrate on the essential: the intensity of the gaze, inviting reflection. Girodet's mastery of drawing, a talent inherited from his academic training Girodet's mastery of drawing, a talent inherited from his academic training the importance of the figure. Dated 1814, our portrait illustrates elegantly illustrates the aesthetics of official painting in the early 19th century. The delicately delicately modeled face, the pensive gaze and the sobriety of the black suit yellow collar testify to a desire to portray a statesman as much as a member of the as much as a member of the imperial dynasty. The softness of the skin tones and the subtle and the subtle use of light to detach the figure from the vaporous background composition inspired by the great neoclassical portraits of the Napoleonic of the Napoleonic era.
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