T'ANG HAYWEN (CHINA-FRANCE/ 1927-1991) - Lot 165

Lot n° 165
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Estimation :
4000 - 6000 EUR
Result with fees
Result : 4 788EUR
T'ANG HAYWEN (CHINA-FRANCE/ 1927-1991) - Lot 165
T'ANG HAYWEN (CHINA-FRANCE/ 1927-1991) Composition (diptych), circa 1990 Ink on Arches paper Signed 'T'ang' (lower center, right-hand leaf) Each sheet: 69.8 x 49.5 cm; Overall: 69.8 x 99 cm Provenance : -Leszek Kanczugowski, Paris (acquired from the artist). On the occasion of the exhibition "T'ang Haywen, un peintre chinois à Paris Paris (1927-1991)", from March 6 to June 17, 2024 at the Musée Guimet in Paris, Osenat will auction on March 24 2024 ten works by works by T'ang Haywen (lots 163 to 172) from the personal collection of Leszek Kanczugowski, one of the artist's closest friends friends of the artist from 1988 until his death in 1991, and today a leading of his work. The exhibition at the Musée Guimet is a major event, as it is first major retrospective of T'ang Haywen's work in France since 2002 devoted to T'ang Haywen, who, alongside Chinese artists artists Zao Wou-Ki and Chu Teh-Chun, is one of the leading figures major figures of post-war abstraction. Born in 1927 in China on the island of Amoy, now called Xiamen, T'ang Haywen himself reminisced in 1988 about his in China, and his arrival in Europe: "I learned to write and paint I learned to write and paint from my grandfather T'ang Yien, who was a painter and calligrapher. I was captivated by the beauty of the island high mountains, islands and the sea of the Tropic of Cancer. of Cancer. I grew up among flowers, trees, fish and birds, fish and birds. They left an indelible imprint and my memory with an indelible mark. When war broke out my family fled to Vietnam. I then came to Europe came to Europe, and I've been working in Paris since 1949" (quoted in T'ang Haywen, le dernier voyage, ed. Gangemi, Rome, 2006, p. 9). Arriving in Paris in 1949, T'ang studied at the Académie de La Grande Chaumière in the 14th arrondissement. He tried his hand at studying medicine, then acting, before discovering his true vocation as a painter. Discreet, T'ang Haywen did not mingle of the avant-garde cafés of the 1950s. The young artist made his own way, his travels revealing his curiosity his curiosity from the 1960s: Belgium, Morocco, USA States, India. He was exhibited in each of these countries during his in each of these countries during his lifetime. During his career, T'ang Haywen voluntarily withdrew from art dealers of his time, preferring to maintain the independent the independence of spirit that characterizes his Taoist outlook. But nevertheless, his work develops, in an avant-garde way, with lyrical lyrical, gestural and vivid abstraction, halfway between between East and West, and on a par with Zao Wou-Ki and Chu Teh-Chun at the time. Chinese by birth but French by adoption, T'ang Haywen drew closer to the Christian religion in the 1980s, regularly attending Fontgombault Abbey (where he now rests), and converted abbey (where he now rests), and converted to Catholicism that decade. He changed his first name from Haywen to François ; under which some connoisseurs today refer to the artist the artist as François T'ang (quoted in T'ang Haywen, le dernier voyage voyage, ed. Gangemi, Rome, 2006, p. 7, essay by Vincent Aucante). Poland, T'ang Haywen's last trip in 1990, is the subject of the is the subject of the selection of works presented here. It was the artist's final the artist's final journey, and the works presented by works presented by Osenat constitute the artist's testament before his death in 1991. They bear witness to the passion of collector Leszek Kanczugowski for one of the great Chinese artists of the second half masters of lyrical abstraction, T'ang 'François' Haywen. François' Haywen.
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