ETIENNE DE LAVALLEE-POUSSIN (ROUEN 1735 -... - Lot 68 - Osenat

Lot 68
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Estimation :
15000 - 20000 EUR
ETIENNE DE LAVALLEE-POUSSIN (ROUEN 1735 -... - Lot 68 - Osenat
ETIENNE DE LAVALLEE-POUSSIN (ROUEN 1735 - PARIS 1802 ) "Portrait of the Eeremans de Beaufort family Canvas with oval view. Signed and dated lower right LAVALLEE.P/faciebat/E..ncour/1798. Inscribed on the leaf held by the child "armand Erman/Beaufort (?)/1797 (?)." 127.5 x 99 cm According to family tradition and the inscription on the drawing in the center, this painting would represent Madeleine Françoise de Logras (1754-1806) and her children, Madeleine Angélique Eeremans de Beaufort (born in 1778) and Armand Eeremans de Beaufort (1783-1858). The father (1723-1793), who disappeared five years before the painting was done, is evoked by the copy of his portrait held by his son, above his drawing board. He was, under the Ancien Régime, first lieutenant-colonel of cavalry, grand provost, first lieutenant of the court of marshals of France and very close to the marshal of Richelieu (Louis-François-Armand de Vignerot du Plessis de Richelieu). The eldest daughter became Madame Le Charron under the Empire. This beautiful portrait, open to an English landscape, evokes the neoclassicism of Fabre and Gauffier, as well as the fashionable costumes of the Directoire. At this date of 1798, peace had returned, the economy had taken off again, and our painting bears witness to this moment, a peaceful interlude in history. It is signed by Lavallée-Poussin, and surprises us, as the second part of his career has been ignored for a long time, so much so that some dictionaries of painters make him die in 1793, or live in Italy after the Revolution. This is not the case, and although he retired from exhibitions at the Salon and painted only for himself or his inner circle, he was elected mayor of Poissy (see Lionel Britten, Cécile Garguelle-Hébert, Thierry Zimmer, "De trois tableaux d' Étienne de Lavallée-Poussin (Rouen 1735-Paris 1802), maire de Poissy de 1799 à 1802", Revue de l'histoire de Versailles et des Yvelines, 2015, t. 97, p. 61-79).Lavallée-Poussin learned painting in his native town from Jean-Baptiste Descamps, and then in Paris with Jean-Baptiste-Marie Pierre. He won the Prix de Rome in 1759, where he stayed from 1762 to 1777, adopting the antique themes in vogue. He was made a knight donate of the Order of Malta. On his return to Paris, he devoted himself to the decoration of private mansions (Hôtel Grimod de la Reynière, now the American Embassy). His creations as an ornamentalist were distributed by engravers. He was admitted to the Academy in 1789, with his most famous history painting, The Return of Young Tobias (Paris, Saint-Jean-Baptiste-de-la-Salle church), as his reception piece. He provided the Beauvais factory with the models for the hanging The Conquest of India in 1785 and four pieces of The History of Alexander in 1792.
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