HENRY SCOTT TUKE (GBR/ 1858-1929) Presumed... - Lot 1 - Osenat

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Result : 3 875EUR
HENRY SCOTT TUKE (GBR/ 1858-1929) Presumed... - Lot 1 - Osenat
HENRY SCOTT TUKE (GBR/ 1858-1929) Presumed Self-Portrait of the Artist, ca. 1882 Oil on canvas mounted on panel (stamped on the reverse by the supplier Félix Voisinot, active between 1876 and 1881) Signed, dated and located 'H.S. Tuke / Paris / 1882' (upper right); dedicated 'my friend Haumont [probably Emile Richard Haumont]' (upper left) 21.3 x 17.1 cm Oil on canvas laid down on panel Stamp of the supplier on reverse Signed, dated and located upper right Dedicated upper left 8.3 x 6.7 in. Provenance : Private collection, Paris area Known for his marine paintings and portraits of male nudes by the sea, the work of Englishman Henry Scott Tuke (1858-1929), tinged with amiable homosexual eroticism, coupled with his proximity to such figures as Oscar Wilde and Lawrence of Arabia, whose portraits he painted, reemphasized his art in the 1970s as a pioneer of the gay subculture, of which Tuke is now considered a precursor. Born into a middle-class English family, influential in Quaker circles and marked by their humanism, Henry Scott Tuke (1858-1929) studied at the Slade School of Art under Alphonse Legros, before embarking on his European Grand Tour in the early 1880s. Present in Florence in the fall of 1880, Tuke endeavored to copy the old masters, and quickly found the limits of this exercise which prevented him from painting what he really liked: the features of his contemporaries. Worldly by nature, Tuke preferred to paint the English high society of Florence, and befriended English artists of Florence such as Arthur Lemon and William Heath Wilson, impressionists close to the Macchiaioli, with whom he discovered the Mediterranean coast of Pietrasanta. In this coastal town of young fishermen, Tuke discovered his source of inspiration for the rest of his career, which he developed in particular in the community of Newlyn, where he settled in 1883. After Italy, Tuke stayed in France for most of 1882. In the City of Light, he studied in the studio of Jean-Paul Laurens, and made friends with a number of artists, some well known, such as Jacques-Emile Blanche and Jules-Bastien Lepage, and others less so, such as Emile-Richard Haumont, to whom the present work is most likely dedicated. The present presumed self-portrait, probably painted during Tuke's stay in Paris, is a synthesis of the best naturalist painters of the late 19th century. In a few lively brushstrokes, the artist draws up the psychology of the model. Unpublished, this portrait adds an important contribution to the corpus of Henry Scott Tuke's youth.
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