KHACHATURIAN (Aram). Autograph letter signed, in Russian, to - Lot 205

Lot n° 205
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2000 - 3000 EUR
KHACHATURIAN (Aram). Autograph letter signed, in Russian, to - Lot 205
KHACHATURIAN (Aram). Autograph letter signed, in Russian, to the composer Valerian Mikhailovich Bogdanov-Berezovsky. Moscow, May 17, 1966. 2 pp. in-folio in red ballpoint pen; marginal notation in another hand in blue ink. [In your last letter there was mention of "Repino, House of Creation" [a place run by the Leningrad Composers' Union, of which Valerian Mikaïlovitch-Bogdanov had been a leader]. That's good. If you are in a "house of creation", it means that you are at work. That is beautiful. It is also obvious from the content of your letter. I understand that you are passionately in love with your heroine. You can only write when the theme fires you up and you are in love with your characters. They surround you, you find yourself always in contact with them... I ALWAYS REMEMBER WITH EXCITEMENT LENINGRAD WITH ITS MUSICIANS, ORCHESTRAS AND AUDIENCES. IN THIS TINGLING EXCITEMENT THERE IS JOY AND FEAR. STRANGE, ISN'T IT? WHY FEAR? You ask me about me and Nina [his wife, the composer Nina Makarova]. Nina works a lot. She is putting her opera Zoya on the piano. At the same time, she is composing something. She meditates and prepares the instrumentation of the opera. I still haven't kissed both of Nina's hands, as you asked me to do, because I am arguing with her at the moment. I'll do it when I've made peace with her, or else write it yourself... Call us and come. From June 10 to 15 I will go to the hospital for a third operation. They will remove the steel plate that is screwed on my leg. I STARTED TO SCRIBBLE ON MY MUSIC PAPER - FOR MY CONCERTO-RHAPSODY (FOR PIANO AND ORCHESTRA). I had the beginning, and now I have finished it... I'm going to amend it and do the instrumentation. I probably won't finish it before I go to the hospital... I WANTED TO WRITE AN OPERA. BUT ONE THAT WOULD BE OUT OF THE ORDINARY, TO BE PERFORMED NORMALLY. There is practically no libretto. What the Bolshoi proposed to me is banal and ordinary. I feel in a state of excitement and uncertainty. What will happen?
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