Lot n° 125
Estimation :
20000 - 30000
EUR
EUGÈNE QUESNEL (1792-1858) after BOUCHÉ (XVIIIth - XIXth ) T - Lot 125
EUGÈNE QUESNEL (1792-1858) after BOUCHÉ (XVIIIth - XIXth ) The last message (Right hand of Théodore Géricault, cast on nature) inscribed by Géricault 'À tous ceux que j'aime, adieu' and with the founder's inscription 'Quesnel fondeur' (on the terrace) Bronze with brown patina Height : 8.7 cm. / Width : 13.5 cm. / Length : 22.2 cm. Designed in 1824, this print was cast before 1847 in two copies known to this day. This work will be reproduced and commented on in the future Catalogue raisonné des peintures de Théodore Géricault, in preparation by Bruno Chenique. Provenance: Private collection, Paris. L'EMPIRE À FONTAINEBLEAU 96LUNDI 22 MARCH 2021 L'EMPIRE À FONTAINEBLEAU 97LUNDI 22 MARCH 2021 Bibliography: - Géricault, edited by Édouard, duc de Trévise, Jean Guiffrey and Pierre Dubaut, Paris, Hôtel Charpentier, 24 April - 16 May 1924, p. 90, no. 307. - Georges Dubosc, 'L'Exposition Géricault', Journal de Rouen, no. 118, Sunday, April 27, 1924, p. 3. - Philippe Grunchec, Tout l'œuvre peint de Géricault, introduction by Jacques Thuillier, Paris, 1978, p. 84, repr (plaster version). - Germain Bazin, Théodore Géricault. Étude critique, documents et catalogue raisonné, t. I, L'homme : biographie, témoignages et documents, Paris, Bibliothèque des arts, 1987, p. 204, fig. 143 (plaster version). - Lorenz Eitner, Géricault, sa vie, son œuvre, 1983, translated from English by Jeanne Bouniort, Paris, Gallimard, 1991, pp. 388, 439, note 172 (plaster version). - Bruno Chenique, 'Géricault posthume', proceedings of the colloquium under the direction of Régis Michel, t. II, Paris, 1996, pp.946, 990, fig. 401 (plaster version). - Bruno Chenique, 'Le masque de Géricault ou la folle mémoire d'un culte sentimental et nauséabond', catalogue of the exhibition Le Dernier Portrait, edited by Emmanuelle Héran, Paris, Musée d'Orsay, 5 March-26 May 2002, pp. 161-163, fig. 2 (plaster version). - Wolfram Pichler and Ralph Ubl, 'Vor dem ersten Strich. Dispositive der Zeichnung in der modernen und vomodernen Kunst', Randgänge der Zeichnung, edited by Werner Busch, Oliver Jehle and Carolin Meister, Munich, Wilhelm Fink Verlag, 2007, p. 232. - Nina Athanassoglou-Kallmyer, Théodore Géricault, translated from English by Hélène Ladjadj and Catherine Makarius, Paris, 2010, p. 213, fig. 190, (plaster version, illustrated in colour). - Bruno Chenique, Géricault. Au coeur de la création romantique. Études pour le Radeau de la Méduse, cat. exp., under the direction of Bruno Chenique and Anne-Charlotte Cathelineau, Clermont-Ferrand, Roger Quillot Museum of Art, 2 June - 2 September 2012, pp. 245, 257, no. 46, (plaster version, illustrated in colour). L'EMPIRE À FONTAINEBLEAU 98LUNDI 22 MARCH 2021 Related works: - Paris, Géricault, under the direction of Régis Michel and Sylvain Laveissière, Galeries nationales du Grand Palais, October 1991 - January 1992, pp. 254- 368, fig. 390, no. 147, notice by Bruno Chenique (plaster version, illustrated in colour). - Similar proof cited in La Gazette Drouot, No. 7, February 15, 2002. Sale, Pescheteau-Badin, Paris, Drouot, February 6-7, 2002 (bronze version, sold for €40,000 hammer). Incarnation of the romantic artist and precursor of the myth of the cursed artist, the short and tormented life of Théodore Géricault, who died at the age of 32 in 1824, was imbued with the genius of artistic innovation, and gave rise to a posthumous celebration close to worship. Contemporary of the rise and fall of Napoleon and Louis XVIII, whose glories and defeats Géricault followed through his studies of horsemen on horseback and military scenes, the young artist's fame began with his presentation in the Salon of 1812 of the portrait of Alexandre Dieudonné (1778-1812), lieutenant of the Chasseurs à cheval of the Imperial Guard, whose critical sensation made the painter David say: "Where did that come from? I don't recognize this touch! ». The artist, who was awarded the Salon's gold medal, confirmed, at the age of 21, the pioneering nature of his art. After two separate stays in England in 1820 and 1821, following the success and scandal of The Raft of the Medusa (Salon of 1819), Gericault returned to France weakened, showing the first signs of bone tuberculosis. This was followed by several serious falls on horseback, a consequence of the indomitable and impulsive nature of the artist, who was nevertheless an excellent rider. Then came the dramatic episode of the fall of the Rue des Martyrs in Paris in August 1823, which paralysed the artist and forced him to remain in bed until his death on 26 January 1824. Géricault continued to paint until a few weeks before his death, and did at least three watercolors and one painting with his left hand, his only remaining subject. An anonymous posthumous witness reported: "He suffered horribly, which did not prevent him from working. He begged his friends to lift him up on his pillow so that he could paint again, and when all strength was taken away, his eyes were on the painting.
L’Empire à Fontainebleau, souvenirs historiques
Vente à 10h30 : n°1 à 70,
Vente à 14h : n°71 à 287
Expositions :
du vendredi 19 au dimanche 21 mars
de 10h à 12h de 14h à 18h
CONTACTS :
+33 (0)1 80 81 90 01
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Président - Commissaire-priseur :
Jean-Pierre Osenat
Associé - Département Souvenirs Historiques :
Jean-Christophe Chataignier
CONDITIONS AND INFORMATION PRINCIPALLY
FOR BUYERS
All property is being offered under French Law and the conditions printed in this volume. lt is important that you read the following pages carefully.
The following pages give you as well useful information on how to buy at auction. Our staff is at your disposal to assist you.
BUYER’S PREMIUM
The purchase price will be the sum of the final bid plus a buyer’s premium of 25 % inc. taxes.
- Interencheres Live: an additional buyer commission of 3% excl. Tax (3.59% inclusive of tax) will be added to this commission.
- Drouot Live: an additional buyer fees of 1.5% excl tax per lot will be charged (1.8 %inc tax).
- Invaluable : an additional buyer commission of 3% excl. Tax will be added to this commission.
VAT RULES
Non-European buyers may have all VAT invoiced refunded to them if they request so in writing to the accounting department within delay of 3 months of the date of sale, and if they provide Osenat with the third sample of the customs documentation (DAU) stamped by customs. Osenat must appear as shipper on the export document and the buyer as the consignee. The exportation has to be done within the legal delays and a maximum of 3 months of the date of sale.
1 - BEFORE THE AUCTION
Pre-sale estimates
The pre-sale estimate are intended as a guide for prospective buyers. Any bid between the high and the low pre-sale estimates offers a fair chance of success. lt is always advisable to consult us nearer the time of sales as estimates can be subject to revision.
Condition of Iots
Solely as a convenance, we may provide condition reports. All the property is sold in the condition in which they were offered for sale with all their imperfections and defects.
No claim can be accepted for minor restoration or small damages.
lt is the responsability of the prospective bidders to inspect each lot prior to the sale and to satisfy themselves that each lot corresponds with its description. Given that the re-lining, frames and finings constitute protective measures and not defects, they will not be noted. Any measurements provided are only approximate.
All prospective buyers shall have the opportunity to inspect each object for sale during the pre-sale exhibition in order to satisfy themselves as to characteristics, size as well as any necessary repairs or restoration.
Sale preview
Pre-auctions viewings are open to the public free of charge. Osenat is concerned for your safety while on our premises and we endeavour to display items safely so far as is reasonably practicable, Nevertheless, should you handle any items on view at our premises, you do so at you own risk.
2 - BIDDING IN THE SALE
Bids may be executed in person by paddle during the auction or by telephone, or by third person who vvill transmit the orders in writing or by telephone prior to the sale. The auctions will be conducted in euros. A currency converter wili be operated in the salesroom for your convenience but, as errors may occur, you should not rely upon it as substituts for bidding in euros.
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If you make a bid at auction, you do as principal and we may held you personally and solely liable for that bid unless it has been previously agreed that you do so on behalf of an identified and acceptable third party and you have produced a valid power of attorney acceptable to us.
Absentee bids
If you cannot attend the auction, we will pleased to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Lots will be bought as cheaply as is consistent with other bide and the reserves. In the event of identical bids, the earliest bid received will take precedence. Always indicate a “ top limit ” - the hammer price to which you would stop bidding if you vvere attending the auction yourself
“ Buy ” and unlimited bids will not be accepted.
Orders shall be made in euro.
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- sent by e-mail at contact@osenat. com
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- hand delivered to staff on the premises
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You may also bid by telephone. Telephone bids must be confirmed before the auction by letter, fax or e-mail. These as well as written bids must be received 24 hours before the auction so that we can guarantee satisfaction.
Bidding by telephone
If you cannot attend the auction, it is possible to bid on the telephone. As the number of telephone lines is limited, it is necessary to make arrangements for this service 24 hours before the sale.
We also suggest that you leave a covering bid which we can execute on your behalf in the event we are unable to reach you by telephone. Osenat Fontainebleau staff are available to execute bids for you in English.
3 - AT THE Auction
Conditions of sale
As indicated above, the auction is governed by the conditions printed in this catalogue. Anyone considering bidding in the auction should read them carefully. They may be amended by way of notices posted in the salesroom or by way of announcement made by the auctioneer.
Access to the lots during the sale
For security reasons, prospective bidders will not be able to view the lots whilst the auction is taking place.
Auctioning
The auctioneer may commence and advance the bidding at levels he considers appropriate and is entitled to place consecutive and responsive bids on behalf of the vendor until the reserve price is achieved.
Information provided by about restorations, accidents or incidents affecting the lots are only made to facilitate inspection by the prospective buyer and remain subject to his personal appreciation and that of his expert.
The absence of information provided about a restoration, an accident or any incident in the catalog, in the condition reports, on the tags or given orally, does not imply that the lot concerned is free of defect, past or repaired. On the opposite, the mention of a default does not imply the absence of any other one.
The successful bidder will only get the delivery of his purchase after payment of the full price. In the case where a simple check has been provided for payment, lots shall not be delivered before the check has been cashed.
4 - AFTER THE AUCTiON
Results
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Osenat - Tél. 00 33 (0)1 64 22 27 62
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Payment
Payment is due immediatly after the sale and may be made by the following method:
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Collection of Purchases – Storage fees
Purchases can only be collected after payment infull in cleared funds has been made to Osenat.
Purchased lots will become available only afterpayment infull has been made.
Storage fees will be charged by Osenat to purchasers who have not collected their items within 15 days from the sale as follows :
- 10 € per day for furniture
- 5 € per day for object or paintings
Export
Buyers should always check whether an export licence
is required before exporting. It is the buyer’s sole
responsibility to obtain any relevant export or import
licence. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot. Osenat can advise buyers on the detailed provisions of the export licensing regulations and will submitt any necessary export licence applications on request.
However, Osenat cannot ensure that a licence will be obtained. Local laws may prohibit of some property and/or may prohibit the resale of some property in the country of importation. As an illustration only, we set out below a selection of the categories of works or art, together with the value thresholds above for which a French « certificat pour un bien culturel » (also known as « passport ») may be required so that the lot can leave the French territory; the thresholds indicated in brakets is the one required for an export licence application outside the EU, when the latter differs from the national threshold.
- Pictures entirely made by hand on any support and of any material, of more than 50 years of age
euros 150, 000
- Furniture and objects, carpets, tapestries, clocks of more than 50 years of age e
uros 50, 000
- Watercolors, gouaches and pastels of more than 50 years of age euros 30, 000
- Original sculptures and copies of more than 50 years of age euros 50, 000
- Books of more than 100 years of age
euros 50, 000
- Vehicules of more than 75 years of age
euros 50, 000
- Drawings of more than 50 years of age
euros 15, 000
- Prints, lithographs and posters of more than 50 years of age
euros 15, 000
- Photographs, films and negatives of more than 50 years of age euros 15, 000
- Printed maps of more than 100 years of age
euros 15, 000
- Incunabula and manuscripts (EU whatever the value is)
euros 1, 500
- Archaeology pieces of more than 100 years of age, originating directly from excavations (1)
- Archaeology pieces of more than 100 years of age, not originating directly from excavations euros 1, 500
- Parts of Historical, Religious or Architectural monuments of more than 100 years of age (1)
- Archives of more than 50 years of age (EU whatever the value is)
euros 300
(1) Application for licence for these categories is subject to the nature of the item.
Preemption right
The French state retains a preemption right on certain works of art and archives which may be exercised during the auction.
In case of confirmation of the preemption right within fifteen (15) days from the date of the sale, the French state shall be subrogated in the buyers position.
Catalogue descriptions
OsenatOsenat shall exercise such due care when making express statements in catalogue descriptions, as amended by any notices posted in the salesroom prior to the opening of the auction or by announcement made by the auctioneer at the beginning of the auction and noted in the minutes of the sales, as is consistent with its role of an auction house and in the light of the information provided to it by vendor, of the scientific, technical and artistic knowledge, and the generally accepted opinions of relevant experts, at the time any such express statement is made.
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