"MADELEINE LEMAIRE, DRAWING FOR MARCEL PROUST MADELEINE LEMA - Lot 48

Lot n° 48
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"MADELEINE LEMAIRE, DRAWING FOR MARCEL PROUST MADELEINE LEMA - Lot 48
"MADELEINE LEMAIRE, DRAWING FOR MARCEL PROUST MADELEINE LEMAIRE (1845-1928) Fern signed 'Madeleine Lemaire' (bottom right) ink on paper 12 x 17.5 cm. (at sight) Executed circa 1896 PROVENANCE Sale, master Léon Tual, Paris, Drouot (Georges Petit expert), Watercolours, drawings, gouaches & sanguines by Madeleine Lemaire, April 29, 1897, part of lot 82 ("Chestnut trees, holly, candle, fern, clover. Five pen drawings"). Private collection, Paris. BIBLIOGRAPHIE Marcel Proust, Les plaisirs et les jours, Paris, 1896, table of contents, cul-de-lampe, p. 271 (illustrated). Lots 47 and 48 belong, according to historian Jean-David Jumeau-Lafond, ""to a corpus of compositions made by Madeleine Lemaire at the request of Marcel Proust to illustrate his first book published in 1896 by Calmann-Lévy, under the title 'Les Plaisirs et les jours'. In this volume, the young Proust brings together various prose texts, short stories and poems published in 1892 and 1893 in magazines such as 'Le Banquet' and 'La Revue blanche. For the future genius of 'À la Recherche du temps perdu', the 1890s were the years of apprenticeship, and it was essentially under the auspices of Robert de Montesquiou, with whom he was very close at the time and whom he met at Madeleine Lemaire's, that Proust had his first aesthetic and literary experiences. It was also with the Count's help that he entered "the world" and discovered the aristocracy that would populate his Grand-Work, in particular Countess Elisabeth Greffulhe, Montesquiou's cousin, the future "Duchess of Guermantes". Madeleine Lemaire also belonged to the worldly and artistic Paris from which Proust would draw inspiration. She was the model for Madame Verdurin, the emblematic figure of a bourgeoisie that had somehow managed to rise up the social ladder. The "patroness", as she is called in 'La Recherche', will achieve her goal by becoming Princess of Guermantes in 'Le Temps retrouvé'. It is not by chance that Proust chose to give this esse
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