ZOLA (Emile). Signed autograph manuscript... - Lot 153 - Osenat

Lot 153
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ZOLA (Emile). Signed autograph manuscript... - Lot 153 - Osenat
ZOLA (Emile). Signed autograph manuscript entitled "Correspondance de Paris". Paris, March 1879. 57 ff. in-8 with some erasures and corrections, on blue peel paper, mounted on green paper leaves bound in a volume in-4 of blue half-maroquin with corners, spine ribbed, gilt head, spine passed, restorations on the back of the last leaf (Semet & Plumelle), under spine folder and black morocco flaps, bordered slipcase. COMPLETE MANUSCRIPT OF HIS LONG STUDY "THE REPUBLIC AND LITERATURE", in which he defends naturalist literature as the only one that can reflect the rational republican principles. It appeared in 1879 in the Russian newspaper Le Messager de l'Europe, where, thanks to Ivan Turgenev, Emile Zola kept a monthly "correspondence" from 1875 to 1880. The present text was published in bookstores by Georges Charpentier in 1879, and in 1881 it was included in the collection Le Roman expérimental (The Experimental Novel). "f° 1:] I have no attachment to the political world, and I do not expect from the Government any place, pension or reward of any kind. This is not pride, it is... a necessary observation. I am alone and free, I have worked and I work: my bread comes from there. On the other hand... I'm a republican of the day before. I mean, I defended republican ideas in books and in the press, when the Second Empire was still standing. I could have been a priest, I wouldn't have had to rally, to convert to the triumphant cause, if I'd had any political ambition at all. All I would have had to do was bend down to pick up the ears, after mowing them down... So my situation is clear. I am a republican who does not seek to live off the Republic. Well, well, well. It occurred to me that this situation is excellent to say all that I think... The] question is to know what kind of marriage, good or bad, the Republic and literature will make together, I mean our contemporary literature, this broad naturalistic or positivist evolution, as one would like, of which Balzac
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