APPARATUS FURNITURE in amaranth and rosewood (veneered with - Lot 320

Lot 320
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Estimation :
6000 - 8000 EUR
Result with fees
Result : 9 324EUR
APPARATUS FURNITURE in amaranth and rosewood (veneered with - Lot 320
APPARATUS FURNITURE in amaranth and rosewood (veneered with butterfly wings), opening with two leaves, the Sainte-Anne gray marble top resting on these rounded mock-fluted uprights finished with small cambered feet, gilt bronze ornamentation with ram's head, scrolled sabots and stylized vase apron, iron mark GR (crowned) /W (for the Garde-meubles royal du couvent des Récollets in Versailles) ; (accidents; bronze falls associated with a later date). Stamped by Pierre Macret (1727-1796) and Jean Chrysostome Stumpff, cabinetmaker received master in 1766. Louis XV period, circa 1770 H: 97 cm, W: 114 cm, D: 54 cm Provenance: Grenier du couvent des Récollets in Versailles, used as the Garde-meubles royal for the dauphine Marie-Antoinette (1755-1793), circa 1770. Bibliographical reference: C. Baulez, " Le coffre à bijoux (1770) de Marie-Antoinette revient à Versailles ", in Versailles, deux siècles d'histoire de l'art, études et chroniques de Christian Baulez, p. 215-217. The attic of the Récollets convent in Versailles had been used since 1754 as a furniture storage area for the dauphines of France and Queen Marie Lezsczynska. The furniture listed with the GR/W (Grenier des Récollets à Versailles) mark was made from 1770 onwards, when the dauphine Marie-Antoinette's furniture repository was established. These include the Queen's jewelry chest by Martin Carlin, an oval marquetry writing table also stamped by Pierre Macret (the King's preferred cabinetmaker following the Court), a game table also by Macret, a pair of corner pieces by Carlin (sale Paris, Audap, June 8, 2021, lot 206) and, above all, a piece of furniture most probably delivered as a pair with the piece shown here, now preserved, like the other five pieces, at the Château de Versailles. As Christian Baulez (op. cit., p. 216) points out, the homogeneous dating of these pieces argues for the use of this mark from 1770, when Marie-Antoinette's furniture storage facility was created.
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