SARTRE (Jean-Paul). - Lot 22

Lot 22
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Result : 1 170EUR
SARTRE (Jean-Paul). - Lot 22
SARTRE (Jean-Paul). Visages preceded by Portraits officiels. Paris, chez Seghers, 1948. In-12, 41 [including first 4 blank]-(7 including last 3 blank) pp. red chagrin, cold-stamped ribbed spine with green title-pieces and gilt initials "S.B." at tail of spine, covers and spine preserved, gilt head; spine faded and heavily rubbed, epidermis on first cover (A. Vié R. Bourdier). ORIGINAL EDITION, one of 10 copies hors commerce, on Crèvecœur du Marais. Reunion of two texts originally published in 1939 in the magazine Verve (n° 5-6). "ONE OF SARTRE'S MOST BEAUTIFUL TEXTS" (Michel Contat and Michel Rybalka, Les Écrits de Sartre, 1970, p. 75): "In it, he undertakes a phenomenological description ("Je dis ce que je vois, tout simplement") of those particular beings we call faces, which are not things. Sartre's aim is to uncover essence in the phenomenological sense, i.e., the truth of the face. This eidetic of the human figure can be summed up in the idea: 'The meaning of a face is to be visible transcendence' [...] Portraits officiels is an original commentary on four portraits [...] of François I, Louis XIV, Charles le Chauve and Napoléon Bonaparte [which] is to be related to the famous description of the portraits in the Bouville museum in La Nausée". AUTOGRAPHIC SENTENCE SIGNED BY JEAN-PAUL SARTRE: "À SIMONE BERRIAU avec l'amitié de JPSartre". Also an opera singer, actress and film producer, SIMONE BERRIAU THEN DIRECTED THE THEATRE-ANTOINE WHERE MOST OF JEAN-PAUL SARTRE'S DRAMATIC WORKS WERE CREATED: Morts sans sépulture, La P... respectueuse, Les Mains sales (which Simone Berriau also brought to the screen), Le Diable et le Bon Dieu, and Nekrassov. 4 full-page DOTS BY WOLS included in the pagination. A FORMER STUDENT OF PAUL KLEE AT THE BAUHAUS, THE PAINTER ALFRED OTTO WOLFGANG SCHULTZE DIT WOLS (1913-1951) settled in France in 1932, where he befriended Arp, Calder, Ernst and Giacometti. His dreamlike style, initially close to the Surrealists, evolved through automatism towards lyrical abstraction, of which he was a precursor. FIGURE OF THE MUDIT, SOLITARY AND SELF-DESTRUCTING ARTIST, WOLS SUSCITED THE INTEREST OF JEAN-PAUL SARTRE, WHO Wrote AN IMPORTANT STUDY ON HIS LIFE AND ART, "Doigts et non-doigts": "Klee is an angel and Wols a poor devil. One creates or recreates the wonders of this world, the other experiences its marvelous horror" (in the collective work Wols en personne, 1963, included in his 1964 collection Situations IV). Provenance: Simone Berriau (gilded initials on tail of spine).
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