17th CENTURY FRENCH ECOLE AFTER ANTOINE COYSEVOX... - Lot 57 - Osenat

Lot 57
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20000 - 30000 EUR
17th CENTURY FRENCH ECOLE AFTER ANTOINE COYSEVOX... - Lot 57 - Osenat
17th CENTURY FRENCH ECOLE AFTER ANTOINE COYSEVOX (1640-1720) The Renown of the King (Renown astride Pegasus and Mercury astride Pegasus) Pair of patinated lead groups H. 53 cm and H. 63 cm, on blackened wood bases 9,5 x 60,5 x 30 cm Accidents and missing, missing caduceus, small deformations Provenance : Sale Galerie Charpentier 12 June 1956, lot 59 , Collection Segard, Paris , by descendants , Commerce de l'Art, Paris. Related works: -Antoine Coysevox, La Renommée à cheval sur Pégase, 1698-1702, Carrara marble, H. 315 x W. 291 x D. 128 cm, Paris, Musée du Louvre, inv. MR 1824 , -Antoine Coysevox, Mercure à cheval, 1698-1702, Carrara marble, H. 215 x W. 291 x D. 128 cm, Paris, Musée du Louvre, inv. MR 1822. Related literature: -François Souchal, French sculptors of the 17th and 18th Centuries. The Reign of Louis XIV, Illustrated Catalogue, vol. I (A to F), 1977, notices 77 and 78 , - Geneviève Bresc-Bautier and Anne Pingeot, Sculptures des jardins du Louvre, du Carrousel et des Tuileries, Editions RMN, 1986, II, p.132-138 , -Ss dir. Geneviève Bresc-Bautier and Guilhem Scherf, Bronzes français de la Renaissance au Siècle des Lumières, Musée du Louvre édition, Somogy Edition d'art, 2008. These rare lead groups were made after sculptures executed in Carrara marble by Antoine Coysevox in 1698 at the request of Jules Hardouin-Mansart to decorate the Bassin de l'Abreuvoir in the Parc de Marly. Now in the Louvre Museum (Inv.MR1822 and MR1824), the two marble groups form an allegory, La Renommée du Roi, which is in keeping with the lineage and iconography characteristic of Mansart and Lebrun's great commissions for the royal estates of Versailles and Marly. This representation, conceived by Coysevox, is intended to celebrate the prosperity of the kingdom after the signing of the Peace of Ryswick in 1697. Renommée and Mercury illustrate the glory of the King, showing him alternately as a warrior and a pacifist. His victories are initially illustrated on the original works by the trophies of arms trodden by the hooves of Pegasus, details absent from our lead groups.
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