GARDEN GARDEN SPECTACULAR of curved and poly-lobed shape in - Lot 261

Lot 261
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7000 - 10000 EUR
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Result : 8 500EUR
GARDEN GARDEN SPECTACULAR of curved and poly-lobed shape in - Lot 261
GARDEN GARDEN SPECTACULAR of curved and poly-lobed shape in elm burr veneer inlaid with amaranth nets and in frames. It presents a large and rich openwork gallery chiselled with roses and a lion's whelp in gilded bronze applique. It rests on a plinth. Restoration period (restorations) H : 78 - W : 94,5 - D : 70 cm Provenance : Sale Paris, Georges Petit gallery on May 11-12, 1931 n°192 Duchess of Berry, Pavillon de Marsan at the Tuileries After the assassination of Charles Ferdinand d'Artois, Duke of Berry, on February 13, 1820, Marie Caroline Ferdinande Louise de Bourbon (eldest daughter of François I, King of the Two Sicilies), Duchess of Berry, left the Elysée Palace to move to the ground floor of the Pavillon de Marsan in the apartment formerly occupied by the Duke before his marriage. At first, she changes nothing to the décor except to drape all the rooms in black. As soon as her mourning period was over, she was only 22 years old and decided at the beginning of 1821 to refurbish this apartment. The furniture repository expresses reticence "Is the current furniture really in bad condition or is it just a simple desire for change"1 and postpones the change to the following year. In 1823 she bought two mahogany planters from the cabinetmaker Rémond "Monsieur Rémond made two planters for Mme la duchesse de Berri. It is true that they are not pleasing to the eye because of the bronzes with which they are overloaded, but S.A.R. finds them to his taste"2. To which Ville d'Avray answers: "not only do I not like the flower boxes but they seem to me to be much too expensive". At the exhibition of the Products of Industry held at the Louvre in 1823, the duchess noticed furniture made of exotic wood and in 1824, she decorated her apartment in the Tuileries with flowers, ordered vases and planters and gradually eliminated mahogany in favour of elm. This flowerpot without any stencil marks or iron marks from the Garde-Meuble allowing its precise location suggests that
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