MONET (Clau de). Autograph letter signed... - Lot 38 - Osenat

Lot 38
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Result : 3 640EUR
MONET (Clau de). Autograph letter signed... - Lot 38 - Osenat
MONET (Clau de). Autograph letter signed to Camille Pissarro. Vétheuil, February 2, 1880. 3 pp. in-8 "YOU WILL OBLIGERE TO ME IF YOU CAN TELL ME BY WHICH CONTEST OF CIRCONSTANCES THE ARTICLE PUBLISHED IN GAULOIS TO MY SUBJECT, under whose inspiration it was made and finally who is the author. I can only consider the passage relating to Hoschedé as a wickedness at his address [Claude Monet was then living with the wife of the collector Ernest Hoschedé], but THIS IS STRONGLY DISAGGREGAT FOR ME AND I WANT TO KNOW THE BACKGROUND OF IT ALL. I'd be surprised if, if it comes from all of you, you didn't consult me before letting such a story be published. I have done enough, you must remember enough yourself, for the first exhibitions to deserve other procedures, at least it would be wrong, and I am surprised that, if the author of the article had been so well informed, he would not have announced, while he was there, which paintings I was to exhibit at the next Salon, he would have been more advanced than me. In short, my dear friend, you must understand that I am anxious to know from you above all (who see these gentlemen daily) what I should think. Oblige me therefore to answer my various questions... "Claude Monet refers here to an article probably written by Octave MIRBEAU in Le Gaulois, entitled "La journée parisienne. Impressions of an Impressionist": "[...] The Impressionist School has the honour to inform you of the painful loss it has just suffered in the person of Mr. Claude Monet, one of its revered masters [...].A passage attacked Ernest Hoschedé, friend and former patron of Claude Monet (the painter lived with his wife): "Hoschedé, - well known to all those who hold a brush, - had fortune, he ruined himself - the dear man - by buying, at very high prices, the impressionist canvases of all the rabble who had left the studio to come and show him their works. Today, Hoschedé, who has become a platonic amateur, consoles himself from his bad luck by spending
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