Albert SEBILLE (Marseilles1874- 1953) Visit... - Lot 28 - Osenat

Lot 28
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2000 - 3000 EUR
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Result : 7 500EUR
Albert SEBILLE (Marseilles1874- 1953) Visit... - Lot 28 - Osenat
Albert SEBILLE (Marseilles1874- 1953) Visit of King Louis XIV in front of the Royal Sun Oil on canvas, signed lower right " Albert Sebille " 112 x 220 cm Wooden stick. History : The Soleil-Royal was built from 1668 to 1670 in Brest by the master carpenter Laurent Hubac. It is first called Grand-Henry (in memory of Henri IV), then Royal-Soleil and finally Soleil-Royal (a reference to Louis XIV, the "Sun King"). The hull was launched on December 13, 1669. Its first armament is 98 guns on its three decks, its forecastle and its poop deck. It is a first rank ship, equipped like the Royal-Louis (built in Toulon), with a forecastle, only these two ships at the time had this feature on the orders of Louis XIV. Another characteristic of these ships is that all the guns on board are made of bronze, not cast iron. With her 2,500 barrels and 104 cannons, her black, white, blue and belly hull, cut with gold listons, she is a superb vessel. With the bright red mantelets of its gun ports and the bright colours of the planking, it is decorated with magnificence. The painters François Verdier, Claude Audran II, Gabriel Revel and François Bonnemer participated in the ship's decoration. Coysevox himself carved the figures at the stern and bow, a mermaid holding a globe in her hand, out of the heart of oak. The ornaments of the stern are carved by Puget, a magnificence on a warship that can be surprising. This magnificence on a warship may come as a surprise, but it owes nothing to chance. The ship, by the combination of its cannons and the richness of its decoration must illustrate all the power of Louis XIV, the "Sun King", then in full glory. Biography: Albert Sebille (Marseilles1874- 1953), appointed official naval painter in 1907. He is Mediterranean, all his youth was spent in Marseilles. He was trained in the fine arts of this city. In 1894, at the age of twenty, he "went up" to Paris. He did not practice impressionism, which was beginning at that time, he preferred narrat
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